“Angelic and haunting (especially the breathtaking theme ‘Excelsior’), one can argue Alexander Ebert’s All Is Lost doleful score is the empty cry one makes as they look back on life before they meet their maker. Bloody beautiful.”- IndieWire
Alexander Ebert, lead singer of LA hippie-entourage Edward Sharpe and the Magnetic Zeros, released his debut solo album Alexander on March 1, 2011 via Community Music (Rough Trade in Europe/UK). The album will include ten brand new songs that Alexander wrote and composed entirely himself. The track-list for the album can be found below.
During breaks from touring with the Zeros over the past year, Alexander began building and recording the pieces that would become the songs for this album alone in his bedroom. Before this album, all of the music he worked on had been collaborative, especially with the 10-person Magnetic Zeros. “I wanted to be able to build an album basically with my hands, like building a house by myself,” Alexander remarked of his inspiration for making this album without outside help.
There isn’t a single sound on the ten-song album that Alexander didn’t perform himself. Alone in his room, he had his guitar, a Lowery organ he picked up at a St. Vincent’s thrift store in Los Angeles for seventy bucks, a clarinet he used for the bridge on the record’s first single, “Truth”, and a violin he’d found somewhere in Tucson on tour. He had his own voice, his breath, his knees to slap, his fingers to snap and his toes to tap. When he knew that he wanted to use a violin on the bridge of “Glimpses”, he had an urge to call a friend to come play it for him, but then questioned why he wouldn’t try it himself. Says Alexander, “To me, it’s a very humble album with sky’s-the-limit sort of qualities, and so I didn’t really shy away from doing whatever I felt like doing.”
As for the music itself, Alexander explains that some of the inspirations for the “mouth sounds” that you can hear throughout the record were from all-time-favorites of his like the 1970 chart-topping ditty “In The Summertime” by British band Mungo Jerry. He also notes that children’s clapping games like Patty Cake and infectious and optimistic Disney tunes like “Zip A Dee Do Da” served as loose inspirations for him.
No shows booked at the moment.